JAGALI
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JAGALI
The masters behind the movement — artists whose entire lives are devotion to craft, transmission, and the preservation of Parampara.
Since 2006, Jagali Artspace has been the custodian of India's most ancient performing arts. Our Gurus are not merely teachers — they are the living vessels of traditions stretching back centuries.
Each master carries an unbroken chain of transmission, from Guru to Shishya, ensuring that every mudra, every raga, every movement carries its full sacred weight.
The masters behind the movement — artists whose entire lives are devotion to craft.
Each Guru carries a lifetime of devotion, training, and the sacred responsibility of transmission.
Yakshagana
"I do not teach steps.
I transmit a universe."
Jeevitha Ravi Gowda is the founder of Jagali Artspace and the driving force behind its mission to integrate theatre, dance, and education. With deep expertise in creative pedagogy, she designs programs that nurture holistic development in children through performing arts. Jeevitha leads the organization with strategic vision, operational excellence, and artistic insight, ensuring every project—from school annual days to large-scale workshops—is executed with precision, creativity, and impact. Her guidance establishes Jagali Artspace as a trusted partner for institutions seeking professional, meaningful performance programs.
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Bharatanatyam
"Every abhinaya is a prayer."
Sunil Raay is a renowned theatre practitioner, show director, and choreographer, celebrated for his innovation and versatility. A holder of the Indian Book of Records, he has performed and directed over 100 stage productions, choreographed performances, and designed theatrical experiences that captivate audiences. Sunil also specializes in costume and prop design, bringing meticulous creativity to every production. His collaborations with schools, cultural institutions, and corporate events consistently combine storytelling, aesthetics, and professional excellence.
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Carnatic Vocal
"A raga is not music.
It is a living presence."
Bharath Akira serves as Artistic Director at Jagali Artspace, bringing over six years of professional experience in theatre, show direction, and training. He has performed in over 100 stage shows and directed more than 40 productions, managing large creative teams of 50+ artists across multiple simultaneous projects. Bharath specializes in theatre direction, performance design, music, lighting, and LED visuals, creating immersive, high-quality theatrical experiences. His leadership ensures that every production meets international professional standards while remaining deeply impactful and memorable.
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Theatre
"The stage is the most
democratic space in the world."
Moulya is a versatile choreographer and creative leader, specializing in Indian folk, filmy, and conceptual lyrical contemporary dance forms. She has choreographed performances for schools, reality shows, and international stages. Beyond choreography, Moulya excels in team leadership and production management, guiding creative teams to deliver performances that are both aesthetically compelling and deeply engaging. Her artistic vision seamlessly blends tradition with modernity, inspiring performers and audiences alike.
Full Profile →Abhinavagupta's theory of aesthetic emotion forms the philosophical backbone of every Jagali production.
The foundation of all performance. Before a single step is taken, the artist must reach the place of absolute stillness — the Shanta rasa from which all other emotion arises and to which all must return.
Beauty as a spiritual discipline. The Sringara rasa governs love in all its forms — the longing of the devotee for the divine, the joy of union, the ache of separation. It is the highest rasa in the Jagali tradition.
The Vira rasa demands that the artist give everything — holding nothing in reserve, allowing the full weight of heroism and sacrifice to move through the body without flinching.
To feel another's sorrow is to perform the deepest art. Karuna does not ask the performer to pretend grief — it asks them to be present to it fully, so that the audience feels they are not alone.
The origin of all art. The Adbhuta rasa is the capacity for astonishment — the moment when the performer, in absolute mastery of form, forgets the form entirely and encounters the mystery again.
Jagali's Gurus carry the living tradition with an authenticity that is rare — each performance is not entertainment but transmission.
Studying under Guru Hegde changed not just how I perform Yakshagana — it changed how I see the world. The Parampara is alive here.
The scholarship and devotion at Jagali Artspace is unmatched. Their productions reflect a deep understanding of what classical art is for.
Whether you seek training, collaboration, or simply wish to be in the presence of the tradition — Jagali Artspace welcomes you.